Category Archives: Plays

The Wax Paper – an American Arts broadsheet

The internet occasionally throws up gems and The Wax Paper is one of them. I stumbled on its call for submissions through the highly useful (and free) online resource The Review Review  (99review@gmail.com)

Published as a quarterly broadsheet in Brooklyn and distributed in New York, Chicago and Mankato, The Wax Paper has all the bluff of newspapers before they shrank into tabloids. Eight arm-stretching pages is enough to keep you reading happily for more than an hour. The Wax Paper

So I’m delighted, they accepted two of my short plays for publication in Volume Two (Issue One) alongside some powerful short stories, arresting photography and excellent poems. Wax Paper Vol 2 Issue 1 (2 plays)

Poets may have a hard time getting published, but playwrights are competing for even fewer print opportunities.

Double bravo therefore to The Wax Paper for giving over an entire page to my two dramas. Lost Property has been performed a number of times, most recently at The Lost Theatre’s Five Minute Play Festival (see photo to the right with actors David Bevan and Maria Askew). 011_14

Bathroom Secrets is a 10 minute play, most recently performed at Unheard, a Festival run by Goblin Baby Theatre Co. at The Bread & Roses Theatre in Clapham. Bathroom Secrets(Photographer Kenneth Jay)

On the left you can see actors Susan Hodgetts and Mark Lisseman in full flow as a married couple who can’t communicate.

Both plays are available to read on my website: www.bookerplays.co.uk

This issue of The Wax Paper contains poetry by the flamboyantly named Richard King Perkins II, Holly Wren Spaulding, Charles Rafferty, Robbie Gamble, Talal Alyan, Jennie Greensfelder and George Eklund.

Two of the short stories are absolutely knock out: The Gods by Melissa Knox is a fascinating critique of a life under Freudian analysis. The Second to Last Supper by Sabrina Harris, is a brilliantly satirical attack on capital punishment using the absurd (and I believe legally correct) premise that a United States prisoner cannot be executed unless they have been given their last meal request in full.

“The first priority of The Wax Paper is to expand our understanding of the people we share the world with,” says Editor Hans Hetrick. “Pieces will be selected on their ability to illuminate the humanity and significance of the subjects that inhabit the work – work that required patient observation, remained steadfast in its empathy and displayed genuine vitality.”

The Wax Paper with sealIf you have poems, short stories, drama, collected conversations, photographs or artwork you think might belong within these lovely pages, please visit:  www.thewaxpaper.com/submissions or email Hans Hetrick at waxsubmissions@gmail.com

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Meat /A Dog’s Life – 5 minute plays by Claire Booker

lost-festival-nov-2016Struck down with flu in November, I failed to see either of my two plays performed at the Lost Theatre Company’s 5 Minute Play Festival 2016. If I’d had any body fluids left, I’d have wept into my duvet.

But hey, U-tube came to the rescue and Meat and A Dog’s Life, together with the other plays selected for the festival, are available to view.

Meat is directed with verve by Jo Grieve. Rhiannon Story and Francesca Burgoyne offer spirited performances in their roles as animal activists who have a nasty secret in the boot of their car. (see link below)

A Dog’s Life is directed by myself. (Fess up time – I was too ill to get to the dress rehearsal, so an especially big thank you to Stephanie James and Jake Rowley for acting their socks off without me). When Baz runs over his wife’s pet pooch, he learns what a dog’s life is really worth. (see link below)

Finally, thank you to The Lost Theatre Company for organising the seventh 5-Minute Festival at their Stockwell-based theatre. I’ve had plays accepted there for six consecutive years and it’s always been a real pleasure working with such an enthusiastic and helpful team.

For information about The Lost Theatre’s current shows and future festivals please click on: www.losttheatre.co.uk

New Drama at the Arts Theatre

Paperback PicturesUpstairs at The Arts Theatre in Covent Garden is a lively venue with a bar at the back for those of thirsty inclination. Pretty handy during a recent hot May night when upwards of 80 people packed into its bijou space to enjoy new dramas by Claire Booker, Aaron Hubbard, Dean Moynihan and Chris York, plus music by Lescines and Rebecca Vaughan.

My play ‘Blue Line Day’ was directed by Paul Heelis and featured Monty Burgess and Leonora Barton in the roles of Michael and Rachel – a couple who can’t live with (or without) each other.  Thank you to all involved for their talent and hard work which really paid off.

We were also treated to a bravura performance by Alexandra Robinson in Chris York’s ‘Build a Rocket’ offering up the joys (and horrors) of childbirth, whilst ‘The Boy Who Built a Clock’ by Aaron Hubbard made us question our prejudices. And Dean Moynihan’s very clever play within a play, ‘This is This’, had us all wrong footed – several times over.Paperback Pictures 2

Paperback Pictures’ bimonthly new writing event, Foot in the Door, showcases work by upcoming theatre professionals. And they’re hungry for more! If you’re a writer, actor, director, musician or theatre technician looking for an audience and a chance to hone your craft, find out how to get involved at:  http://www.paperback.pics/

Sibling productionsIt’s always a thrill when I discover one of my plays has been performed north of the border. ‘Socks Go in the Bottom Drawer’ had another airing in Scotland, this time in the town of Lauder (ashamed to say I had to get the atlas out and find it – just above Galashiels). Thank you to Lauder Amateur Dramatic Association for giving it a four night run in March, and thank you to Comedy Plays for bringing the play to their attention.

If you’re a playwright who is happy for your work to be performed by amateur actors, do check out the possibilities at: www.comedyplays.co.uk/

New drama grid-lock at The Pleasance

If you’re a director, actor or playwright, Director’s Cut Theatre Company are on the look out for new blood (see below for latest call).

They’re utterly professional, command healthy audiences and are a pleasure to work with, as I discovered when my 10 minute play, Pig in a Blanket, was performed at The Pleasance Theatre, Islington, earlier this year. No U-Turn It was part of a showcase of nine new plays – No U-Turn! – based around the theme of people trapped in traffic. Ironic, as it turns out, because on performance night, north London was plunged into havoc by engineering works and a defunct Picadilly Line. Despite this, more than a hundred people managed to get through to see the show.

Artistic Director (Heather Ward) and Dramaturg (Jessica Mayne) selected plays by Claire Booker, Mitch Day, Clare Knights, Callum McGowan, Michael Pearcy, Nikki Racklin, Julian Ross Davison, Julian Warren and James Withey from nearly 200 submitted to a very specific brief. No U Turn We had to create up to four characters stuck in traffic, unable to leave their cars, with a specific place they were heading to. At the end of each play, the traffic had to move on, yet we weren’t allowed to reveal what had caused the jam.

No U-TurnA total of 16 actors and 9 directors set to work turning our words into theatre, including specially created choreography to link each of the nine plays. A big thank you to Rosie Ward and Lauren Orrock for their finely crafted performances as ‘Rat’ and Ellie (animal rights activists with a nasty secret in the boot) in Pig in a Blanket. I had great fun at the first rehearsal watching them go through improvisation exercises with co-directors Kieran Rogers and Peter Gould, including revisiting Rat and Ellie’s childhood haunts and a pretty hard-nosed police interrogation. Pig in blanket

The next showcase Drafts is coming up on 29th May at Southwark Playhouse for which writers’ submissions have just opened. They’ll be casting next month.

For more details about Drafts or The Director’s Cut Theatre, including future writing, directing or acting opportunities, please contact Heather Ward (Artistic Director and Producer) at: www.directorscuttheatre.co.uk

The Princess Monologues are back!

It’s your last chance to catch Eleanor Dillon-Reams’s 5 Star performance in The Princess Monologues this Friday at the Bread & Roses Theatre, Clapham.

Princess Monologues (Eleanor Dillon-Reeves)

She’s wowed reviewers and audiences alike with the virtuosity of her interpretation of 7 monologues written by Claire Booker, Amy Bethan Evans, Tessa Hart, Simon Jay, Tina Jay, Tilly Lunken and Eliza Power and directed by Tessa Hart.

Goblin Baby Theatre Company’s production has already played at The Bedford, Balham, The Hen & Chickens, Islington, The Space, Isle of Dogs, and returns to the Bread & Roses, 68 Clapham Manor Street, SW4 6DZ for a final performance at 8pm on February 12th. To book tickets, please click on the following link: www.goblinbaby.com/princess

A must-see for everyone! – RemoteGoat. A fantastic show – Female Arts. Brave and relevant theatre – London Pub Theatres. A rewarding experience – LondonTheatre1

Each monologue explores a different aspect of being a ‘princess’ in the 21st century from an African royal, a DisneyWorld employee and a drag Queen, to a young abused mother, a boy who dreams of finding his prince and a revenant Princess of Wales.

Dynamite II by Tilly Lunken, Just a Girl by Tina Jay, Home Made Princess by Simon Jay, Mr Andersen’s Princess by Amy Bethan Evans, Hail Your Majesty by Tessa Hart, #Shame by Eliza Power and my play Princess Frankenstein were all commissioned by Goblin Baby Theatre Co, an activist theatre company which has been making waves in south London since they launched two years ago.

I was thrilled by Eleanor’s cut-glass rendering of my monologue about medical student Frankie, who is a genius in the lab but a picky princess in love. Can she surgically create a perfect boyfriend?

“Princess Frankenstein has an incredibly dark humour, which had the audience in stitches.” RemoteGoat.    “Princess Frankinstein is genius, strange  and a little unsettling, as well as being hilariously funny.” Female Arts.    “Can she surgically create the perfect man? No, it turns out, but not before leading us through a hilarious tour of her struggling love life. It’s almost an exploration of what it means to be human in ten too-short minutes.” London Theatre 1.     “Princess Frankenstein is a darkly comic gem: one of the funniest things I’ve seen all year.” Angela Clarke.

But don’t trust the reviews. Go and see the show yourself!

Monologue Slam at St James’ Theatre

Twelve actors, ten playwrights, one great concept!

CSRamQWXIAAjMJu Director’s Cut pulled off an adventurous evening of acting and writing talent on Tuesday, with its ‘Make The Cut’ slam at London’s prestigious St James Theatre.

It’s always a privilege to have a play performed by up and coming young actors. This time, not one, but two, got to interpret the role of Kips in my play ‘Sperm Vampire’ along with nine other monologues, also performed by more than one actor.

The monologues were selected from among hundreds submitted to the company.  Each play was performed twice, by two different actors.  Each actor got to learn three different monologues.  The first round comprised all 12 actors going head to head in pairs, performing six of the shortlisted plays.  The audience then got to vote who went forward. The six winning actors  then went head to head in three groups of pairs, performing a new monologue.  The final round saw three actors performing the final monologue.  CSVVaFBWoAAA7gT

Simon Desborough and Harry Boyd both gave sterling performances as Kips in ‘Sperm Vampire’ by Claire Booker. A big thank you and congratulations to them both for their excellent interpretations.

Congratulations also to all the short-listed writers, the other ten actors and mazeltoff to the ultimate winners, actor Sukh Kaur Ojla and writer Tom Ratcliffe.

If you would like to know more about The Director’s Cut Theatre, including future writing or acting opportunities, please contact Heather Ward (Artistic Director and Producer) at: www.directorscuttheatre.co.uk or on Facebook at:  https://www.facebook.com/directorscutTC

Alleluiah’s marital secrets gets mini-tour

After two fantastic nights at the Lost Theatre in February, I just couldn’t bring myself to put the lid on my 5 minute play ‘Alleluiah’. Stephanie James was stunning as Bridget, a woman on the cusp of adultery, walking the fine line between humour and pain brilliantly. So a mini-tour was born. (yes, let’s push the envelope – more than one performance qualifies as a tour!!)

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OLYMPUS DIGITAL CAMERAStephanie performed first at ‘Beyond  Words’ in Gipsy Hill, followed by another gig at Loose Muse at the Poetry Cafe. Audiences were warm and appreciative. Watch this space for news of further performances in the coming year.

If you missed the show, here’s a film of ‘Alleluiah’ courtesy of The Lost Theatre: