14 Great Poetry Gigs to Celebrate

Postcards (Collage 3)Writing poetry is one thing. Marketing it, quite another. This is where poetry gigs can come into their own. Over the last year, I’ve taken my poetry pamphlet, Later There Will Be Postcards, on a whistle stop tour of some great venues.

Green Bottle Press launched the pamphlet last October at SLAM Kings Cross – a delightful venue with an ornate horseshoe balcony and music hall feel.  So far so great – a nice turn out of friends and poetry well-wishers, plus stablemates Tracey Rhys and Yvonne Piper launching their own books too.

OLYMPUS DIGITAL CAMERAGBP Postc (Joolz pic)My editor, Jennifer Gregg, had arranged a pre-launch at The Torriano Meeting House – a little piece of literary history tucked away in Kentish Town, which is also home to the imprint Hearing Eye.  I featured there with fellow Green Bottle Press poet Sarah Sibley, reading from her PBS acclaimed pamphlet The Withering Room.  I was there again two weeks later to feature with poets Alan Price and Louise Warren, and enjoy the usual high quality open-mic readers.

In February I was invited to read two of my poems at Palewell Press‘s launch of a powerful book about refugees – Three Days in Damascus, a memoir by Kim Schultz. The venue was The Hive in Dalston, a really wacky, welcoming space full of contemporary art, great coffee and a happening feel to it.  Handy for the Jeffrey Museum too.

Magma 67 launchMagma being one of my top three favourite literary mags (no, I’m not telling!) I was thrilled to be asked to read two of my poems at the launch of its 67th issue (Bones & Breath) at The London Review Bookshop – handy for the British museum. The distinctive L-shaped room is surprisingly good acoustically, and there’s a real buzz sitting in such close proximity to so many books. Perhaps most inspiring is the quality of listening you get at a Magma launch.

Best-of-British-cover[1] And now let’s hear it for Royal Tunbridge Wells, and in particularly that adventurous publisher Paper Swans Press, who launched their Best of British Anthology at The George, not so far from the pantiles where Jane Austin may have sipped a Bacardi Breezer or two (or the Regency equivalent). My fellow contributors gathered from all corners of the UK to share offerings on the topic of British Life.

PAE Centrala 2April saw me in Birmingham’s Centrala Gallery, a great space which specialises in Eastern European art, and overlooks the Grand Union Canal. It was all part of the Birmingham Literature Festival. With Arts Council funding, our UK/Romanian collective PoetryArtExchange could afford to pay for three British poets and two Romanian poets plus a Polish saxophonist to perform poetry to an avant-garde sound track of words and musical sounds. I really let my hair down on castanets, tambourine and ball point pen! PAE - John Riley

Written in Water Constable event 6 May posterBrighton Museum, inside the Prince Regent’s fantasy palace with its minarets and flamboyant painted dragons, is a unique venue. For this year’s Brighton Festival, The Frogmore Press invited a contingent of Brighton-based poets to read their work inspired by clouds and sea. What a delight to share words in front of a magnificent collection of John Constable paintings and sketches.  There was an excellent turn out from the public, some of whom didn’t expect this added extra but stopped to listen to such poets as Clare Best, Maria Jastrzebska, Mandy Pannett, Jeremy Page, Lyn Thomas and Marek Urbanowicz. Thank you to Alexandra Loske for inviting us.

Beyond WordsIf you live within reach of south London, count yourself lucky. Beyond Words at the Gipsy Hill Tavern, is one of the most consistently enjoyable spoken word events and punches well above its weight. Hosts Angela Brodie and Caroline Vero invited me to feature in the summer, alongside Jim Alderson. What could be more convenient than a 2 minute walk to the train station and then up to Victoria in an eye-wink? I got home to Brighton in time for a nightcap.

OLYMPUS DIGITAL CAMERALoose Muse Covent Garden, run by the inimitable Agnes Meadows, welcomed me as feature poet in June, alongside novelist SV Berlin and blogger Naomi Woddis. Later in Ocober I had the pleasure of featuring at the Winchester’s Loose Muse, alongside Jessica Mookherjee. I had time to visit some Winchester’s wonderfully preserved heritage (including King Arthur’s round table) before heading for The Discovery Centre, which was buzzing with interested poets thanks to organiser Sue Wrinch’s warm and efficient hospitality. I even managed to sell ten copies of Later There Will Be Postcards which is (and will probably remain) a personal best. We were the closing act of the UK-India Festival of Words set up by Sue, which included a flash fiction workshop, a free Bollywood film, poetry workshops and performances by Mona Arshi, Rishi Dastidar and Martyn Crucefix. Aminur

The Indian subcontinent continued to exert its effects, this time through the Bangla poet, Aminur Rahman, who was over in the UK to promote his latest collection, Perpetual Diary. Agnes Meadows organised an evening at The Sun Covent Garden, where Aminur charmed us with his readings in English and Bengali, and Isabel White, Racheal Joseph and myself were the supporting acts.

Petersfield Write Angle 2017Petersfield in Hampshire is a delightful  town with a market-place, herb garden and lovely winding river that runs through its Tudor and Georgian houses. It’s also home to a wonderfully eclectic poetry night – Petersfield Write Angle – run by Leah and Jake Cohen. Petersfield - Claire Dyer They invited myself and novelist/poet Claire Dyer to fill the feature slot for August (always the third Tuesday of the month). The venue is intimate and quirky, and the open mic drew some extraordinary performances, including a wonderful harpist.

Ver poets poster 17I travelled up to St Albans, burial place of Harold (arrow-in-the eye) Godwinson to feature at a Ver Poets Reading, alongside John Mole and Caroline Vero. St Albans public library was a joy – warm, bright and inviting, with an attentive mix of Ver poets and members of the public making up the audience.  John was reading from his Shoestring Press collection Gestures & Counterpoints, and Caroline shared some of her most up-to-the-minute poems.   Chroma 1d

Chroma 1And the final event I featured in this year, was the launch of the brand new lit mag Chroma at Brighton’s bijou ONCA Gallery.  Chroma will focus on a different colour each issue. Issue one is red and heart-stoppingly gorgeous to look at. The launch was awash with talented young artists, musicians and writers, and there was a beautifully curated exhibition of some of photographs and poems  (including my own I’m proud to say).  So thank you to Emma Phillips for fashioning such a sumptuous read!

Copies of Later There Will Be Postcards are still available at £6.20 plus p&p from: GREEN BOTTLE PRESS

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Picaroon Poetry goes ‘Deranged’

DerangedWith Halloween just round the corner, why not treat yourself to some seriously unsettling poetry, curtesy of Picaroon’s ‘Deranged’ anthology, edited by Kate Garrett and Rachel Nix? The book is “for seriously ‘deranged poetesses’, in practice or in spirit, everywhere,” states its dedication.

Always happy to walk the edge, I’m delighted to have a poem in the anthology, alongside poets such as Rishika Aggarwal, Carole Bromley, Rebecca Gethin, Lizzie Holden, Amy Kinsman, Laurie Kolp, Misti Rainwater-Lites, Sarah Pritchard, Angela Readman and Sade Andria Zabala.  There’s a strong contingent from across The Pond, which is perhaps not surprising, given the move towards madness shown recently by the American electorate!

The anthology features poems about rule-breaking, gender nonconformity and women in the arts. It is “for those who openly refuse to be chained to the status quo; those who rebel quietly, biding their time; and everyone in between. ”  I’ll drink to that!

For more information on Picaroon Poetry please click the following link: Picaroon anthology

To order a copy of ‘Deranged’ direct, please click: Deranged

 

Rialto 88 takes a trip ‘Up North’

Rialto 88The compass is set due north in the latest issue of The Rialto, with its dark, moody cover of a Scandinavian maiden linking arms with a wolf-man, plus promises of a ‘northern sampler’ of poems edited by Degna Stone.

Inside, you can find work by poets including Fleur Adcock, Claire Booker, Mary Jean Chan, Ella Frears, Tania Hershman, Sean Hewitt, Matt Howard, Anthony Mair, Jessica Mookherjee, Les Murray and Emma Wills, plus the first published poems of new poet on the block, CB Green (more please!)

The first twelve pages of this issue contain poems gleaned from The Rialto’s first pamphlet competition. “One of the things I enjoy most is finding writers who are new to us, or even new to just about everyone,” says the Editor, Michael Mackmin.  Look out for the competition winner, Sean Wai Keung’s pamphlet, at FREE VERSE (and via The Rialto website) later this month.

And then there’s the northern sampler itself:

“I guess what I wanted to do was to highlight some of the fantastic poets who are writing in my region,” explains Degna Stone. “I chose poems that I felt have a vitality and urgency about the world; whether that’s by looking back and asking us to think about what how much, or how little, things have changed, or centring us firmly in the present and asking us to think about how we can move forward.

“So, get yourself a cuppa or a glass of something, take fifteen minutes out of your day, and have a read.”  With poems by Anne Caldwell, John Challis, Pippa Little and William Stephenson among other northerners to read, I suggest you put aside a little longer to relish the magic of their windswept words. Rialto 88

To buy a copy of The Rialto issue 88 (£8.50), take out an annual subscription (£24/19 for 3 issues) or submit to the magazine, please check out: The Rialto

Paper Swans Press gets Best of British

Best-of-British-cover[1]Best of British is a daring title for an anthology in these post-Brexit days, but co-editors Sarah Miles and Jill Munro are a safe and experienced pair of hands.

“It’s a wonderful anthology of accessible, varied and memorable poems,” writes Costa poetry prize winner Jonathan Edwards. “These are poems for and about people as much as about place.”

Best of British launchThe anthology includes work by Rebecca Bird, Claire Booker, Michael Brown, Claire Collison, Karen Izod, Sarah James, Angela Readman, Maggie Sawkins, Derek Sellen, Elisabeth Sennitt Clough, Paul Stephenson, Alison Stone, Alex Toms and Jules Whiting among others.

Subjects are wide and various, ranging from Viking museums, London rivers and stolen pavements, to citizenship tests, motorways and Scottish fish gutters.

Best of British was given a rousing launch at The George, Tunbridge Wells, with readings from Carole Bromley, Claire Collinson, Karen Izod, Ed Broom, Lawrence Wilson, Susan Evans, Claire Booker, Sue Spiers and Maggie Sawkins. PaperSwan's Press British launch

To buy a copy, or find out more about the award-winning Paper Swans Press, please visit: Paper Swans Press

 

 

The High Window lit-zine offers great views

The High Window issue 6If your wish-list includes a beautifully curated, quarterly poetry journal that costs only time to enjoy then look no further than The High Window. Launched last year, its roll-call of contributors is already impressive.

Issue 6 (summer) carries three poems by Claire Booker and work by Carrie Etter, Philip Gross, Anne Irwin, Sean Kelly, Bethany Rivers, Jean Stevens and Simon Williams among others. Age is no bar to publication, as Sophie Reisbord (age 15) and Maurice Rutherford (age 95) can testify. They join such illustrious High Window alumni as Ian Duhig, David Harsent, Abigail Morley, Helen Mort, Mario Petrucci, Fiona Sampson and Matthew Sweeney.

The High Window is anything but parochial. Alongside a lively mix of poetry from the UK and around the world, it packs in intelligent reviews, a selection of poems in translation, profiles on American poets (issue 6 features Richard Hoffman) and essays (issue 6 considers Sam Gardiner). High Window REviews

Reviews in this issue include Ruth Sharman’s Scarlet Tiger reviewed by Claire Dyer, and a thought-provoking analysis of Michael Crowley’s First Fleet by Peter Riley in which he questions whether it’s possible for a contemporary poet to write a truly narrative poem.

dcthw[2]Co-founders David Cooke and Anthony Costello  edit The High Window and also run The High Window Press which publishes chapbooks and anthologies by poets who are up and coming or, in the opinion of the editors, may have been unduly neglected. img_20150504_231611[1]

So why not consider submitting some of your unpublished work to the magazine? According to the submissions blurb, your poem is more likely to excite the editors if it has the authenticity of lived experience or engages imaginatively with an idea. They will expect to see a commitment to the craft of poetry and respect for the sense and sound of language. And who can argue with that?

To read the latest issue (and/or back issues) click on: The High Window (issue 6)

To find out more about the publishing house click on: The High Window Press

 

When Poems Meet a Composer

Out of Place - St PaulsPoetry began life as sung word, often in a religious context. So what a privilege to return to those poetic roots and have one of my poems set to music and performed as part of an evening of new compositions at the Actor’s Church (St Paul’s) in Covent Garden.

Out of Place is the brainchild of musician Nicola Burnett Smith, who sought out poems from contemporary poets and brought them together with a team of composers to create twelve very varied pieces.  The result was a gala evening of new musical work including fun improvisation, classical composition, solo instrumentalists, wonderful readings by Annette Badland, acapella singing and some pretty acrobatic percussion work!Out of Place - composers

The composers (Gemma Storr, Sarah Woolfenden, Marianne Johnson and Nicola Burnett Smith) each chose poems that inspired them, then spent six months creating a great variety of responses. The chosen poets include Claire Booker, Dharmavadana, Alexander James, Anna Kisby and Samantha Pearse.

Out of Place - Nicki Burnet Smith and Anne BadlandsIn front of a packed audience, the evening raised money for The Rory Peck Trust which supports freelance journalists working in hostile environments. For more information about the Trust or to buy an anthology of all the poems, including some not set to music, (all takings donated to the Trust) please email 2017outofplace@gmail.com or p hone 020 3219 7860.

The concert can be viewed by clicking: Out of Place concert (https://youtu.be/l90YRFlpOtU). If you need to fast forward to my poem (you’ll be missing some great music though) you can find it at 16.20 mins into the film.

To hear my poem read by Olivier-nominated actor Annette Badland (aka Hazel in the Archers!) please click:   Audio of ‘Dancing Green’ (https://soundcloud.com/nicolaburnettsmith/sets/out-of-place?utm_source=soundcloud&utm_campaign=share&utm_medium=email)

Out of Place - posterA huge thank you to Annette Badland, the musicians and Nicola Burnett Smith for all her hard work and skill in taking my poem ‘Refuge’ and creating from it her piece ‘Dancing Green’ (clarinet-Nicola Burnett Smith, percussion – Gemma Storr, flute – Marianne Johnson, trumpet – Sarah Woolfenden, piano – Sarah Lambie).

Bucharest University Press publishes PoetryArt Exchange

PAE - cred. Chris Leman-RileyAn experiment in UK/Romanian collaborative poetry which began two years ago is now available to read in a FREE e-book at: http://editura.mttlc.ro/ rushton-poetryartexchange- romania-uk.html

The book comprises 36 interlinked poems, correspondence and debate from nine participating poets – Claire Booker, Margento, Anna Maria Mickiewicz, Iulia Militaru, John Riley, Andra Rotaru, Steve Rushton, Aleksandar Stoicovici and Stephen Watts.

PAE CentralaIn life, and virtually, these poets have got together and riffed off each other’s energy and ideas, creating new poems, interactive soundscapes, musical experimentation, exhibitions and live readings of their work at Deptford’s Bird’s Nest Gallery, The Hundred Years Gallery, Hoxton, and Birmingham’s Centrala Gallery.  PAE - 100 years audience

“Experimentalism has gone global,” says Lidia Vianu, Director of The Contemporary Literature Press (University of Bucharest) in her foreword to the book. “The change in the language of poetry, as well as in its obsessions, is so brutal that somebody like me, who has been teaching 20th Century poetry, plus the early years of the 21st Century, can only wonder at the brave new world which is opening as we speak, and say with me, poetryartexchange is a book for the next generation.”

PoetryArtExchange has also won praise from Ukrainian-born Ilya Kaminsky (two of whose poems headline the current Magma magazine). He writes: ” . . . nine poets from two countries coming together to smash the barriers and reach out to each other. In our world so torn by various nationalisms, refugee crises, political darknesses, what respite—what a gift, really—to find humans who create a country all their own (all our own, now) out of words. If I had to pledge allegiance to any nation, it would be this one.”

PAE - John Riley

During PoetryArtExchange performances, poetic phrases have been glued to windows, light-projected onto walls, beaten out to the sound of drums, ball point pens and assorted instruments, blown up large as art-works, whispered into microphones above a palimpsest of previous recordings. Sebastian Sterkowicz on bass clarinet and Costin Dumitrache on piano have added further layers of music-making experimentation alongside the poets.

New poems have been created by each participant in a kind of call and response. Margento brilliantly references work by all nine poets in a colour-coded poem entitled: London (né) – Bookar®est Express (A Nuyorican Language GPS). Connections and debate are made between all the poets in English, Romanian, the languages of academia and even the language of satire. Who, for example, is the art critic Johannes Metzger who attacks an imaginary show ‘I Have a Cock’ with unstoppable pretension? Perhaps only John Riley can know.

A film of the PoetryArtExchange performance at The Hundred Years Gallery is available here: poetryartexchange(Romania/UK) at Hundred Years Gallery London

“What a show! Nine writers from two cultures, Romania and the UK, working their brand-new, poly-vocal invention. As one of the poets says, “It’s an attempt at establishing.” It establishes, and powerfully invigorates, so many aesthetics and colors, so many flavors and voices—cases, fonts, songs, diatribes, tracts, interiors and pluralities. This book is dynamic—as in drop-the-mike—as in dynamite.”  David Baker

 Check out the PAE blogsite at: poetryartexchange.wordpress. com

A podcast of three of the poets discussing PoetryArtExchange is available here: Podcast + playlist: Hello GoodBye – 27.05.17 – Sebastian Melmoth, Steve Rushton, Margento + Simon Waldram | hellogoodbyeshow

Topmost photo credit: Christine Leman-Riley.