One of my favourite of all films, Cinema Paradiso, inspired my eponymous poem recently published in The Spectator. Film can be a prism for ideas and emotions in much the same way as poetry: an admix of the visual and the visceral. How to capture, in a few lines, the essence of a film which has affected you deeply? As so often in poetry, it’s what you leave out that matters.
Other poets recently published there include Fleur Adcock, John Levett, Richie McCaffery and Claudine Toutoungi.
If you’d like to submit your poems to Hugo for consideration, send them c/o Arts & Books editor Claire Asquith at The Spectator, 22 Old Queen Street, London SW1H 9HP. Hard copies + SAE required.
Another, more surreal, cinematic poem of mine, My Night as a 50-Foot Woman, is featured in the New York based anthology, Poetry Inspired by Film, edited by Jennifer Maloney and Bart White; a fantastic bunch of poets and cinema enthusiasts, gravitating around The Little Theatre of Moving Images. They organised six Trans-Atlantic video launches for the anthology (it’s a big book!) so all contributors had the opportunity to perform their work live.
“Years before I identified and pursued my love of poetry, I was in love with movies,” writes Bart White in his foreword. “The filmmaker explores qualities of storytelling and of time, slowing time down or speeding it up . . . and now we might be speaking of the poet who looks in wonder at the world, absorbs light and sound, then shapes a form to hold an experience. . . or are we speaking again of the filmmaker? Between them there is a deep resonance”
“A community of artists was the impetus behind this anthology,” writes Jennifer Maloney. “Watching movies, during this pandemic year, soothed me, distracted and uplifted me.”
The anthology includes images of specially commissioned paintings by David James Delaney, including ‘And Toto Too’.
You can purchase a copy of the anthology for $11 (warning: postal charges from the US are astronomical!) by emailing Kenneth Kelbaugh at email@example.com
Only ten shopping days left to Christmas. But don’t despair! Salvation is only a brief mouse-click away.
Why not buy that poetry-loving, special someone a copy of Genius Floored: Notes While Waiting? All proceeds from the sale are donated to Caris Camden, which administers Camden cold-weather shelters for the homeless.
The anthology contains work by poetry big-hitters such as Fleur Adcock, Elaine Feinstein, Matthew Hollis, Fiona Sampson and George Szirtes, plus contributions from some of the many open-mic contributors at Lumen and Camden poetry evenings in London. These include Connie Bensley, Claire Booker, Greg Byrne, Nancy Charley, Annemarie Cooper, Gillian Henchley, Hilaire, Racheal Joseph and Caroline Vero.
Edited by award-winning poet, Ruth O’Callaghan, it’s an incredible snip at £4.99 per copy. To purchase a copy of Genius Floored:Notes While Waiting please click on the following link http://www.soaringpenguinpress.com
Frost, snow, sleet, biting wind – they’re just words now, but in a matter of months hundreds of homeless people will be turning to cold-weather shelters funded by poetry just to keep alive. Yes, POETRY does make things happen!
This year’s anthology from Camden and Lumen Poetry Series is edited by internationally acclaimed poet Ruth O’Callaghan and published by Soaring Penguin. It includes poems by Fleur Adcock, Gillian Allnut, Mimi Khalvati and Fiona Sampson, as well as work from regular contributors to the poetry evenings such as Anne Ballard, Claire Booker, Annemarie Cooper, Josh Ekroy, Kaye Lee and Caroline Vero.
All proceeds from the sale of this year’s anthology will be donated to Caris Camden, which administers Camden cold-weather shelters for the homeless.