It’s great to be in another issue of Stand, which offers the perfect place for poems that play with horizontal layouts.
Poets in this issue include Richard Aronowitz, Grace Atkinson, Kate Behrens, Claire Booker, Maia Elsner, John Glover, Robin Houghton, Laura Potts, Jessica Sneddon, Nic Stringer, plus a series of five extraordinary poems from Robert Hamberger.
There’s also a short story by Ted Slaughter and reviews by Jennifer Wong, Stella Pye and John Gallas.
In his foreword, managing editor, John Whale, references Coleridge’s 1797 poem ‘This Lime-tree Bower My Prison’ as his lockdown poem of choice. In the poem, Coleridge provides intense, detailed observations of nature, which enable him to bear the isolation of his illness with fortitude and even appreciation.
Says John Whale: “At this moment of of our current pandemic it is worth celebrating this historical example of the appreciation of particularity arising from a thorough-going meditative attention to nature. It shows us what compensations can emerge from privation.”
The first six pages of Stand 226 contain tributes to the Irish poet, feminist and editor, Eavan Boland, who died in April. A great loss to the world of poetry.
Boland famously said it was ‘easier to have a political murder in an Irish poem than a washing machine.” So-called ‘domestic poetry’ still has to contend with prejudice from some editors (often, but not always, male), who would airbrush it from their pages. Apparently, they fail to see that all experience contains the potential for poetry, including such deeply personal relationships such as motherhood.
In one of the tributes carried in Stand, Shirley Chew quotes from Boland’s poem sequence, Anna Liffey. It’s a beautiful statement of the right to be subjective in a poem, to bring yourself right into its core, and not simply be a commentator on the ‘big subjects’:
Make of a nation what you will Make of the past What you can - There is now A woman in the doorway. It has taken me All my strength to do this. Becoming a figure in a poem. Usurping a name and a theme.
To buy a copy of Stand, Volume 18 (2), or take out an online or paper subscription, or to submit your work to the magazine, please visit: http://www.standmagazine.org