In its latest editorial, Poetry Salzburg Review makes no bones about its mission: “We need to get back to a time where the ‘general public’ see poetry as an essential literary engagement.” Here you’ll find poetry for just about everyone, from narratives, translations and humour, to experimental lay-outs, ekphrasis and sonnets. As a reader, I really love the mix I find here. As a poet, I’m grateful for a place which will consider every kind of poem I write.
Poets in issue 36 include William Bedford, Sharon Black, Claire Booker, Brecht (transl.), Joe Caldwell, David J. Costello, Natalie Crick, Horace (transl.), L. Kiew, Tom Paine, Matthew Paul, Penelope Shuttle, Marjorie Sweetko, Grant Tabard, Marina Tsvetaeva (transl.) and Margaret Wilmot.
There’s the usual strong selection of book reviews, plus an essay on the late Chris Bendon by Glyn Pursglove, and one on Edward Lowbury (1913-2007) by Roland John.
And let’s celebrate another wonderful cover image – ‘The Waterfall’, by Steven Kenny. The front of every issue is a glorious invocation of the surreal; perhaps only to be expected from a magazine produced in the country where Sigmund Freud first tussled with the unconscious mind.
Poetry Salzburg Review is issued twice a year, and I for one have been subscribing to it for some time. It’s printed with the support of the Department of English and American Studies at the University of Salzburg, with an editorial board that spans the Atlantic (Robert Dassanowsky and Keith Hutson) under the expert eye of editor Wolfgang Gortschacher.
Totally thrilled to have another poem in Magma, which meant I got to read my work at the launch last Friday alongside guest poets Lorraine Mariner and Colette Bryce and some delightful fellow contributors, including Alison Brackenbury, Katie Byford, Rowena Knight, Abigail Morley, Ruth O’Callaghan and Mathew Paul.
More than 100 people squeezed into The London Review Bookshop to celebrate Magma 59‘s fresh new take on the theme of ‘Breaks’ by a wide range of poets including Mimi Khalvati and Penelope Shuttle. The issue crackles with originality. Titles alone make your mouth water, including: ‘Apartment Hunting With the Lady Who Lives in A Shoe’, ‘The Half-Litre Messiah’, ‘The Doll With a Hole in its Hand’ and ‘Mal de Cou-Cou’.
“After poems of great delicacy and eggshells come others of metal and grind,” write editors Roberta James and Alex Pryce. “Already familiar with powerful lines like Sylvia Plath’s “Now I break up in pieces that fly about like clubs” and Tennyson’s rending elegy Break, Break, Break, we were all the same surprised by the extraordinary range of tone and far-reaching subject matter [in this issue].”
My own poem ‘Model in Love’ was written during a workshop at Tate Modern, inspiringly led by Pascale Petit. We were allowed to handle (with cotton gloves!) a number of sculptures, including a beautiful work by Alberto Giacometti entitled Walking Woman.
Magma 59 is available from www.magmapoetry.com or from selected book stores. Indulge yourself in poetry heaven and enjoy features such as John Humphrys on Wilfred Owen’s Dulce et Decorum Est, Colette Bryce interviewed about her poem The Brits, and Andrew Neilson’s view of poetry on e-readers. Plus reviews by Laurie Smith, George Szirtes and Jennifer Wong. A steal at £8.60 including p&p!