Tag Archives: new plays

The Wax Paper – an American Arts broadsheet

The internet occasionally throws up gems and The Wax Paper is one of them. I stumbled on its call for submissions through the highly useful (and free) online resource The Review Review  (99review@gmail.com)

Published as a quarterly broadsheet in Brooklyn and distributed in New York, Chicago and Mankato, The Wax Paper has all the bluff of newspapers before they shrank into tabloids. Eight arm-stretching pages is enough to keep you reading happily for more than an hour. The Wax Paper

So I’m delighted, they accepted two of my short plays for publication in Volume Two (Issue One) alongside some powerful short stories, arresting photography and excellent poems. Wax Paper Vol 2 Issue 1 (2 plays)

Poets may have a hard time getting published, but playwrights are competing for even fewer print opportunities.

Double bravo therefore to The Wax Paper for giving over an entire page to my two dramas. Lost Property has been performed a number of times, most recently at The Lost Theatre’s Five Minute Play Festival (see photo to the right with actors David Bevan and Maria Askew). 011_14

Bathroom Secrets is a 10 minute play, most recently performed at Unheard, a Festival run by Goblin Baby Theatre Co. at The Bread & Roses Theatre in Clapham. Bathroom Secrets(Photographer Kenneth Jay)

On the left you can see actors Susan Hodgetts and Mark Lisseman in full flow as a married couple who can’t communicate.

Both plays are available to read on my website: www.bookerplays.co.uk

This issue of The Wax Paper contains poetry by the flamboyantly named Richard King Perkins II, Holly Wren Spaulding, Charles Rafferty, Robbie Gamble, Talal Alyan, Jennie Greensfelder and George Eklund.

Two of the short stories are absolutely knock out: The Gods by Melissa Knox is a fascinating critique of a life under Freudian analysis. The Second to Last Supper by Sabrina Harris, is a brilliantly satirical attack on capital punishment using the absurd (and I believe legally correct) premise that a United States prisoner cannot be executed unless they have been given their last meal request in full.

“The first priority of The Wax Paper is to expand our understanding of the people we share the world with,” says Editor Hans Hetrick. “Pieces will be selected on their ability to illuminate the humanity and significance of the subjects that inhabit the work – work that required patient observation, remained steadfast in its empathy and displayed genuine vitality.”

The Wax Paper with sealIf you have poems, short stories, drama, collected conversations, photographs or artwork you think might belong within these lovely pages, please visit:  www.thewaxpaper.com/submissions or email Hans Hetrick at waxsubmissions@gmail.com

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Meat /A Dog’s Life – 5 minute plays by Claire Booker

lost-festival-nov-2016Struck down with flu in November, I failed to see either of my two plays performed at the Lost Theatre Company’s 5 Minute Play Festival 2016. If I’d had any body fluids left, I’d have wept into my duvet.

But hey, U-tube came to the rescue and Meat and A Dog’s Life, together with the other plays selected for the festival, are available to view.

Meat is directed with verve by Jo Grieve. Rhiannon Story and Francesca Burgoyne offer spirited performances in their roles as animal activists who have a nasty secret in the boot of their car. (see link below)

A Dog’s Life is directed by myself. (Fess up time – I was too ill to get to the dress rehearsal, so an especially big thank you to Stephanie James and Jake Rowley for acting their socks off without me). When Baz runs over his wife’s pet pooch, he learns what a dog’s life is really worth. (see link below)

Finally, thank you to The Lost Theatre Company for organising the seventh 5-Minute Festival at their Stockwell-based theatre. I’ve had plays accepted there for six consecutive years and it’s always been a real pleasure working with such an enthusiastic and helpful team.

For information about The Lost Theatre’s current shows and future festivals please click on: www.losttheatre.co.uk

New drama grid-lock at The Pleasance

If you’re a director, actor or playwright, Director’s Cut Theatre Company are on the look out for new blood (see below for latest call).

They’re utterly professional, command healthy audiences and are a pleasure to work with, as I discovered when my 10 minute play, Pig in a Blanket, was performed at The Pleasance Theatre, Islington, earlier this year. No U-Turn It was part of a showcase of nine new plays – No U-Turn! – based around the theme of people trapped in traffic. Ironic, as it turns out, because on performance night, north London was plunged into havoc by engineering works and a defunct Picadilly Line. Despite this, more than a hundred people managed to get through to see the show.

Artistic Director (Heather Ward) and Dramaturg (Jessica Mayne) selected plays by Claire Booker, Mitch Day, Clare Knights, Callum McGowan, Michael Pearcy, Nikki Racklin, Julian Ross Davison, Julian Warren and James Withey from nearly 200 submitted to a very specific brief. No U Turn We had to create up to four characters stuck in traffic, unable to leave their cars, with a specific place they were heading to. At the end of each play, the traffic had to move on, yet we weren’t allowed to reveal what had caused the jam.

No U-TurnA total of 16 actors and 9 directors set to work turning our words into theatre, including specially created choreography to link each of the nine plays. A big thank you to Rosie Ward and Lauren Orrock for their finely crafted performances as ‘Rat’ and Ellie (animal rights activists with a nasty secret in the boot) in Pig in a Blanket. I had great fun at the first rehearsal watching them go through improvisation exercises with co-directors Kieran Rogers and Peter Gould, including revisiting Rat and Ellie’s childhood haunts and a pretty hard-nosed police interrogation. Pig in blanket

The next showcase Drafts is coming up on 29th May at Southwark Playhouse for which writers’ submissions have just opened. They’ll be casting next month.

For more details about Drafts or The Director’s Cut Theatre, including future writing, directing or acting opportunities, please contact Heather Ward (Artistic Director and Producer) at: www.directorscuttheatre.co.uk

Two bites at cherry for Bookerplays in Lost Theatre’s 5 Minute Festival

OLYMPUS DIGITAL CAMERARobots, husbands and small bars of soap feature in two plays by Claire Booker which each won a place in the Finals Night of Lost Theatre’s Five Minute Festival earlier this month.

Thirty two short plays were inititally selected to be performed at the 7th annual 5 Minute Festival in Stockwell, south London, over four nights in front of a panel of industry judges. Ten plays won places into the Grande Finale.

OLYMPUS DIGITAL CAMERAAlleluiah was performed by Stephanie James, despite running a high fever on the night. She snatched victory from the jaws of the flu with her wonderfully nuanced performance as Bridget – a woman who shares a bed and bathroom with husband Barry – but not the secrets of her heart.

To view the 5 minute film of the play, please click on:

OLYMPUS DIGITAL CAMERA

Ever wondered what life would be life after the Bomb has dropped? Wonder no longer. The food’s unrelenting, the West Wing’s tiny and the staff are work-experience robots. Nuclear Bunker offers a comic take on life underground as Lady Kay (Victoria Otter) struggles to control her scheming robot Grimaldi (Michael Hutchinson) and his side-kick Sasha (Lucy Tippett).

To view the 5 minute film of Nuclear Bunker, please click on: “NUCLEAR BUNKER” by Claire Booker – LOST Theatre 5 Minute Festival

Lost Theatre is a purpose built 180 seater conveniently positioned on the Wandsworth Road (SW8 2JU) between Stockwell tube and Vauxhall tube/overground stations. Lost 5 mInute Fest 15 It has a vibrant and ecclectic programme throughout the year. As well as running the 5 Minute Festival, Lost also runs One Act and Solo festivals. If you’d like to know more about the Lost Theatre, or are interested in entering the One Act Festival (submissions now open) click on:  http://www.losttheatre.co.uk

‘Last Man in Watford’ unleashed on Southwark Playhouse

Sibling productionsClaire Booker’s short comedy ‘Last Man in Watford’ is to get a second bite at the cherry, following a successful run earlier this year at The Hen and Chickens Theatre, Islington.

Producing company, Little Pieces of Gold, has selected nine state-of-the nation short plays by UK-based playwrights to showcase on Sunday 24th November (7.30pm) at The Southwark Playhouse, near London Bridge.  Previous Little Pieces of Gold showcases have been sell-outs, so if you don’t want to risk missing out on a variety-packed evening, then book your tickets at: http://www.southwarkplayhouse.co.uk

‘Last Man in Watford’ is set in 2084 when women rule the world and men are kept as exhibits in zoos.

Tom Kirkin unleashes Adam on a helpless audience

Tom Kirkin unleashes Adam on a helpless audience

Utopia or dystopia?  You decide!  The play was performed as part of Sibling Productions Short Cuts 4 season in Islington in July, alongside three other dark comedies. Tom Kirkin played the role of unreconstituted Adam, Kathryn Perkins was the schoolgirl ingenue, and Lydia Lane played the long-suffering zoo keeper. It was directed by Tessa Hart.

For more information about Sibling Productions:

http://www.shortcutsfestival.co.uk

To contact Little Pieces of Gold about the Southwark Playhouse evening, or to submit work for their next showcase, please visit: http://www.littlepiecesofgold.co.uk

Claire Booker a finalist in the Ovation Theatre Awards

Claire Booker’s short play ‘Fingers and Toes’ will be performed at the 2011 Ovation Theatre Awards in West Yorkshire, this month.   Each year, the Ovation Awards select twelve finalists, whose plays battle it out to win prizes for best writing, best actor, and best production.  This year, the Awards are being held on November 12th at Square Chapel Centre for the Arts, Halifax, West Yorkshire.

Director Peter Huntley and actors Emily Maguire and Humphrey Casely-Hayford are a great production team, based in Leeds.  Emily and Humphrey seen here hard at work rehearsing!

For more information on The Ovation Awards check out http//:www.ovationtheatreawards.webs.com

Hunger lurks in the playground

Harriet is Hungry – but for what?   Women’s theatre group, 17Percent, is showcasing Harriet is Hungry – a new play by Claire Booker– in Whitstable on Wednesday 12th October.  It’s part of a season of short plays under the banner, She Writes.   7.30pm start at The Horsebridge Centre, Whitstable, Kent. To book tickets  http://www.horsebridge-centre.org.uk  To find out more about 17Percent   http://17percent.wordpress.com / http://shewrites.blogspot.com