If the hallowed sound of leather against willow seems like a distant dream, why not buy yourself a copy of Paper Swans’ CRICKET Pocket Book of Poetry, where twelve poets will knock you for six with their spin on the noble game?
Look out for stories of love among the wickets, batting triumphs and bowling disasters from Penny Blackburn, Claire Booker, Catherine Edmunds, Steve Harrison, Neil Leadbetter, Roy Marshall, Jill Munro, Brenda Read-Brown, Sue Spiers, Rob Walton, Joe Williams and Lawrence Wilson.
The Pocket Book of Poetry – CRICKET is one of a series of themed poetry pamphlets edited by Sarah Miles and designed to pop into a pocket, a bag or send with a greetings card to make it extra special. They’re available from Paper Swans Press for £3.50 (ex p&p) and include the topics of LOVE, WEDDINGS, ANGER and WOMEN’S SUFFRAGE.
To buy a copy or learn more about the Tunbridge Wells based publisher, click on: Paper Swans Press
While lovers young and old tie the knot this summer season, you can join them in spirit and enjoy twelve beautifully crafted poems celebrating the ups and downs of wedded bliss.
To order your copy (price £3.50 plus p&p), or to find out about editor Sarah Miles’ next submissions window, please visit: 
As inflation continues to gouge lumps out of our wallets, Paper Swans have come up with a winning formula – a pocket book series of poetry priced £3.50 each.
Writing poetry is one thing. Marketing it, quite another. This is where poetry gigs can come into their own. Over the last year, I’ve taken my poetry pamphlet, Later There Will Be Postcards, on a whistle stop tour of some great venues.
My editor, Jennifer Gregg, had arranged a pre-launch at The Torriano Meeting House – a little piece of literary history tucked away in Kentish Town, which is also home to the imprint Hearing Eye. I featured there with fellow Green Bottle Press poet Sarah Sibley, reading from her PBS acclaimed pamphlet The Withering Room. I was there again two weeks later to feature with poets Alan Price and Louise Warren, and enjoy the usual high quality open-mic readers.
Magma being one of my top three favourite literary mags (no, I’m not telling!) I was thrilled to be asked to read two of my poems at the launch of its 67th issue (Bones & Breath) at The London Review Bookshop – handy for the British museum. The distinctive L-shaped room is surprisingly good acoustically, and there’s a real buzz sitting in such close proximity to so many books. Perhaps most inspiring is the quality of listening you get at a Magma launch.![Best-of-British-cover[1]](https://bookerplays.files.wordpress.com/2017/08/best-of-british-cover1.png?w=97&h=150)
And now let’s hear it for Royal Tunbridge Wells, and in particularly that adventurous publisher Paper Swans Press, who launched their Best of British Anthology at The George, not so far from the pantiles where Jane Austin may have sipped a Bacardi Breezer or two (or the Regency equivalent). My fellow contributors gathered from all corners of the UK to share offerings on the topic of British Life.
April saw me in Birmingham’s Centrala Gallery, a great space which specialises in Eastern European art, and overlooks the Grand Union Canal. 
Brighton Museum, inside the Prince Regent’s fantasy palace with its minarets and flamboyant painted dragons, is a unique venue. For this year’s Brighton Festival, The Frogmore Press invited a contingent of Brighton-based poets to read their work inspired by clouds and sea. What a delight to share words in front of a magnificent collection of John Constable paintings and sketches. There was an excellent turn out from the public, some of whom didn’t expect this added extra but stopped to listen to such poets as Clare Best, Maria Jastrzebska, Mandy Pannett, Jeremy Page, Lyn Thomas and Marek Urbanowicz. Thank you to Alexandra Loske for inviting us.
If you live within reach of south London, count yourself lucky. Beyond Words at the Gipsy Hill Tavern, is one of the most consistently enjoyable spoken word events and punches well above its weight. Hosts Angela Brodie and Caroline Vero invited me to feature in the summer, alongside Jim Alderson. What could be more convenient than a 2 minute walk to the train station and then up to Victoria in an eye-wink? I got home to Brighton in time for a nightcap.
Loose Muse Covent Garden, run by the inimitable Agnes Meadows, welcomed me as feature poet in June, alongside novelist SV Berlin and blogger Naomi Woddis. Later in Ocober I had the pleasure of featuring at the Winchester’s Loose Muse, alongside Jessica Mookherjee. I had time to visit some Winchester’s wonderfully preserved heritage (including King Arthur’s round table) before heading for The Discovery Centre, which was buzzing with interested poets thanks to organiser Sue Wrinch’s warm and efficient hospitality. 
Petersfield in Hampshire is a delightful town with a market-place, herb garden and lovely winding river that runs through its Tudor and Georgian houses. It’s also home to a wonderfully eclectic poetry night – Petersfield Write Angle – run by Leah and Jake Cohen. 
They invited myself and novelist/poet Claire Dyer to fill the feature slot for August (always the third Tuesday of the month). The venue is intimate and quirky, and the open mic drew some extraordinary performances, including a wonderful harpist.
I travelled up to St Albans, burial place of Harold (arrow-in-the eye) Godwinson to feature at a Ver Poets Reading, alongside John Mole and Caroline Vero. St Albans public library was a joy – warm, bright and inviting, with an attentive mix of Ver poets and members of the public making up the audience. John was reading from his Shoestring Press collection Gestures & Counterpoints, and Caroline shared some of her most up-to-the-minute poems. 
And the final event I featured in this year, was the launch of the brand new lit mag Chroma at Brighton’s bijou ONCA Gallery. Chroma will focus on a different colour each issue. Issue one is red and heart-stoppingly gorgeous to look at. The launch was awash with talented young artists, musicians and writers, and there was a beautifully curated exhibition of some of photographs and poems (including my own I’m proud to say). So thank you to Emma Phillips for fashioning such a sumptuous read!![Best-of-British-cover[1]](https://bookerplays.files.wordpress.com/2017/08/best-of-british-cover1.png?w=194&h=300)
Best of British is a daring title for an anthology in these post-Brexit days, but co-editors Sarah Miles and Jill Munro are a safe and experienced pair of hands.
The anthology includes work by Rebecca Bird, Claire Booker, Michael Brown, Claire Collison, Karen Izod, Sarah James, Angela Readman, Maggie Sawkins, Derek Sellen, Elisabeth Sennitt Clough, Paul Stephenson, Alison Stone, Alex Toms and Jules Whiting among others.
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