The Princess Monologues are back!

It’s your last chance to catch Eleanor Dillon-Reams’s 5 Star performance in The Princess Monologues this Friday at the Bread & Roses Theatre, Clapham.

She’s wowed reviewers and audiences alike with the virtuosity of her interpretation of 7 monologues written by Claire Booker, Amy Bethan Evans, Tessa Hart, Simon Jay, Tina Jay, Tilly Lunken and Eliza Power and directed by Tessa Hart.

Goblin Baby Theatre Company’s production has already played at The Bedford, Balham, The Hen & Chickens, Islington, The Space, Isle of Dogs, and returns to the Bread & Roses, 68 Clapham Manor Street, SW4 6DZ for a final performance at 8pm on February 12th. To book tickets, please click on the following link: www.goblinbaby.com/princess

A must-see for everyone! – RemoteGoat. A fantastic show – Female Arts. Brave and relevant theatre – London Pub Theatres. A rewarding experience – LondonTheatre1

Each monologue explores a different aspect of being a ‘princess’ in the 21st century from an African royal, a DisneyWorld employee and a drag Queen, to a young abused mother, a boy who dreams of finding his prince and a revenant Princess of Wales.

Dynamite II by Tilly Lunken, Just a Girl by Tina Jay, Home Made Princess by Simon Jay, Mr Andersen’s Princess by Amy Bethan Evans, Hail Your Majesty by Tessa Hart, #Shame by Eliza Power and my play Princess Frankenstein were all commissioned by Goblin Baby Theatre Co, an activist theatre company which has been making waves in south London since they launched two years ago.

I was thrilled by Eleanor’s cut-glass rendering of my monologue about medical student Frankie, who is a genius in the lab but a picky princess in love. Can she surgically create a perfect boyfriend?

“Princess Frankenstein has an incredibly dark humour, which had the audience in stitches.” RemoteGoat.    “Princess Frankinstein is genius, strange  and a little unsettling, as well as being hilariously funny.” Female Arts.    “Can she surgically create the perfect man? No, it turns out, but not before leading us through a hilarious tour of her struggling love life. It’s almost an exploration of what it means to be human in ten too-short minutes.” London Theatre 1.     “Princess Frankenstein is a darkly comic gem: one of the funniest things I’ve seen all year.” Angela Clarke.

But don’t trust the reviews. Go and see the show yourself!

Camden Fringe success for Goblin Baby Theatre Company

One of our Robots is Missing

Goblin Baby Theatre Co. pulled off  a Camden Fringe Review ‘Hot Ticket’ status for 2 out of the 3 nights’ performances of FORESEEN – its four writer, three actor, two director bonanza of post-apocalyptic dark comedies that played The Hen & Chickens Theatre Bar in Islington from the 22nd to 24th August.

Associate writers Amy Bethan Evans, Claire Booker, Tessa Hart and Tilly Lunken each wrote 12 minute plays which the company wove into one darkly comic, thought-provoking hour of theatre.

Processed

The Appointment

Lucy and the Beasts

Leigh-Anne Abela directed Amy Bethan Evans’ Lucy and the Beasts  (The Beast is what you make of it);  and Claire Booker’s One Of Our Robots Is Missing (Nuclear bunkers. Read the small print!) Victorine Pontillon directed Tessa Hart’s The Appointment (The legend of the Female Species and their mysterious swelling bellies); and Tilly Lunken’s Processed  (There must be somewhere to live, even when there is nowhere to go).

Actors Alice Bell, Michael Bagwell and Alexandra Vincent turned in a kaleidoscope of stunning performances, each creating four completely different characters, plus some state-of-the-art, on-set costume changes under the eagle eyes of enthusiastic audiences.

Next up is a Goblin Baby double bill: The Proposal by Anton Chekhov(in a same-sex version) and To Be A Wife by Tilly Lunken at The Space, Isle of Dogs, London from 7th-11th October (7.30pm with 3pm Saturday matinee).  For more details or to buy tickets visit www.goblinbaby.com

Feminist fairytales put wolf in the dog house!

Some great reviews and lively audiences at last month’s Fairytale Festival ‘Retold’ prove beyond doubt that women’s theatre can put bums on seats and still be taken seriously.

Activist theatre company ‘Goblin Baby’ commissioned Claire Booker, Amy Bethan Evans and Tilly Lunken to update three traditional fairy tales. The plays were performed for five nights at The Space, Isle of Dogs, then transferred to The Hen & Chickens Theatre, Islington for a further five nights.

Claire Booker subverted Grimm’s ‘Little Red Riding Hood’ and set all the action inside the belly of the wolf where it’s dark, it stinks and it’s packed with victims. Can Hoodie, Gran and Aisha escape, or should they wait for the Woodcutter?

“‘Little Red Hoodie’ feels like a sudden gem and Natasha Atherton is truly riveting as Aisha, a Muslim woman who wakes up in the stomach of a wolf. This piece of writing engages with a more delicate kind of metaphor and allows a story to be told; one which is very moving. This truly feels like a fairytale done differently, while remaining recognisable.”  ThePublicReviews

“Booker devises a brand new character, Aisha (Natasha Atherton), a devout Muslim who has unexpectedly found herself detached from the rest of her body.  The idea of women being empowered to save themselves comes across in this play and there’s a nice nod to the disparity in generational attitudes, with Hoodie (Tessa Hart) and Gran (Rebecca Peyton) coming to different conclusions. Peyton’s slightly doddery, well-meaning grandmother character is a delight.” ViewFromTheGods

Tilly Lunken’s play used a reunion of three old school friends queuing up to watch Snow White as a way of dissecting issues of beauty and appearance. “There is a sweetness here and Priscilla Adade-Helledy (Lilly) brings an enjoyable levity to proceedings. Some truly poignant moments show up with wonderful lines like “[Snow White is] a story of never escaping the dreams of your mother.” ThePublicReviews

“The Snow White Complex’ definitely packs a big emotional punch, thanks to the cast but also director Kuba Drewer.” ViewFromTheGods

Amy Bethan Evans ‘As if by a Stair’ used the story of Rapunzel as a fable which illustrates how young people’s futures have been sold down the river of so-called fiscal necessity.  “Whilst the pieces are each completely different and unique, the overall fairytale and socio-critical tone still makes the show feel like one big ensemble project where everyone is very much in tune with each other.” RemoteGoat

Watch this space for more information on Goblin Baby Theatre Company or go to their website at: http://www.goblinbaby.com

Claire Booker’s short comedy ‘Last Man in Watford’ plays at Loose Muse, The Poetry Cafe, 22 Betterton Street, Covent Garden, WC2H 9BX on Wed 12th February (8.00pm).

Tilly Lunken’s One Act drama ‘Mint Leaves’ plays at the Hen & Chickens Theatre, 109 St Paul’s Road, Islington, N1 2NA on 13th and 14th February (7.30pm).

Goblin Baby Theatre’s one-night-only benefit production of Eve Ensler’s ‘The Vagina Monologues’ takes place on Sunday March 16th at 7pm at The Space, 269 Westferry Road, E14 3RS.