In its latest editorial, Poetry Salzburg Review makes no bones about its mission: “We need to get back to a time where the ‘general public’ see poetry as an essential literary engagement.” Here you’ll find poetry for just about everyone, from narratives, translations and humour, to experimental lay-outs, ekphrasis and sonnets. As a reader, I really love the mix I find here. As a poet, I’m grateful for a place which will consider every kind of poem I write.
Poets in issue 36 include William Bedford, Sharon Black, Claire Booker, Brecht (transl.), Joe Caldwell, David J. Costello, Natalie Crick, Horace (transl.), L. Kiew, Tom Paine, Matthew Paul, Penelope Shuttle, Marjorie Sweetko, Grant Tabard, Marina Tsvetaeva (transl.) and Margaret Wilmot.
There’s the usual strong selection of book reviews, plus an essay on the late Chris Bendon by Glyn Pursglove, and one on Edward Lowbury (1913-2007) by Roland John.
And let’s celebrate another wonderful cover image – ‘The Waterfall’, by Steven Kenny. The front of every issue is a glorious invocation of the surreal; perhaps only to be expected from a magazine produced in the country where Sigmund Freud first tussled with the unconscious mind.
To order a copy of issue 36 or submit your own poems please check the following link: http://www.poetrysalzburg.com/psr.htm
Poetry Salzburg Review is issued twice a year, and I for one have been subscribing to it for some time. It’s printed with the support of the Department of English and American Studies at the University of Salzburg, with an editorial board that spans the Atlantic (Robert Dassanowsky and Keith Hutson) under the expert eye of editor Wolfgang Gortschacher.